Saturday, 17 August 2013

Week Four: Innovators or Pirates?

When one thinks of innovation, they are likely to imagine the likes of Albert Einstein, Thomas Edison ,Marie Curie, Jane Austen etc. All pioneers of great ideas and movements that have had an influential impact on society in one way or another.


Due to innovation, the modern day has seen an abundance of new technologies. As a result, globalisation has intensified,  due to the ease of ability to share new ideas across physical and cultural boarders.   



As a result of innovation, the modern day has seen an ever-growing expanse of new technologies. This has allowed for the intensification of globalisation, and an ease in ability to share new ideas across physical and cultural boarders.   

It is therefore no wonder that arguments risen questioning where the line falls between innovation and plagiarism. This is particularly relevant within the music industry, with top-of-the-chart countdowns, nightclubs, and Hollywood soundtracks etc. continually being plagued with the boisterous remixes of classics as well as mashed up collaboration of previous works.

But what is innovation?  

According to my trustee Oxford dictionary:

     Innovate (verb) – Bring in novelties; make changes in

When interpreted in conjunction with the societal history, it is easy to see where we get our Edisons and our Einsteins. However, in a modern sense, to innovate may be interpreted in a completely different way.


The music industry, with its remixes and mash-ups, is just one example of how innovation is continuing in modern industries. Reproducing a song as a remix or mash-up is a form of innovation in that it updates the songs emotion and character, allowing its re-entry into the market as a new product.   

In relation to the subject of my blog; this form of innovation can be witnessed in many a surf film, with remixes of music often created for, and incorporated within the film to communicate the energetic and adventurous attitude of footage. As a result, surf manoeuvres seem gnarlier than if paired for example with a Bob Marley tune.


An example of this can be seen in Julian Wilson’s profile film, in which the feature’s trailer incorporates the up-beat grunge of a Sharam Jay Remix of Cassette Kids’ Lying Around.


This remix promotes an animated vibe, which may have been harder to recognise if paired with original track: 

We should consider remix’s rather than copies, as innovations due to their ability to intensify or change the character of the principal sound, adding a somewhat novelty to the original piece.  


References:

Berkun, S. 2013, 08/05-last update, The Top Women Innovators of all Times [Homepage of Scott Berkun], [Online]. Available: http://scottberkun.com/2013/top-women-innovators/ [2013, 18/08].

Sykes, J. & Fowler, H.e.a. 1976, The Concise Oxford dctionary, 6th edn, Oxford University Press, Oxford, England.

1 comment:

  1. Some interesting concepts to grasp Kathryn. I can agree that making something based off of something else is innovation. It gets a little dicey when the 'innovation' is more popular than the 'new' though, especially in music. I think it is fine to throw some music over a video, the music is given a completely new medium and use.

    Your second and third paragraphs are sort of saying the same thing. And I'm pretty sure there is a particular way you reference dictionaries.

    Otherwise I loved reading your thoughts on innovation.

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